Thank you, Rob. And as Rob just stated, LiveOne has made a major commitment to invest in and market its original content and programming. Because of our unique flywheel, we are not just creating shows, we are developing unique IP and franchises that can be developed into everything from a documentary to a podcast to an event to a product, creating long-term value for LiveOne and our shareholders. Over the past 2 quarters, we have invested over $20 million in developing, implementing and marketing our franchises, which drove both revenues, new memberships and subscribers. Over the past year, we have launched shows and events that we believe have the chance to become valuable franchises going forward, including self-made the lockdown awards, the snubbies, music lives and music lives on, like-by-like presents and lives on. Not to mention a number of podcasts that have the potential to develop into assets for television film, music and documentaries. We continue to grow our amenity successful and first-of-its-kind hybrid festival music lives, which is returning for its third and most ambitious installment yet this November, live from Miami Baselink and featuring a unique plan of virtual and physical performances, integrated with a global 313 basketball tournament with over 30 countries participating. Our other live music franchises musical is on and like-by-like presents continue to expand, recently crossing the 70th episode milestone and have proven to be big hits with our advertising partners. The second addition of our Live on awards, the breakout Edition, is scheduled for this December and will also push the boundaries of our unique and signature hybrid approach. This month, we also announced the acquisition of Ramapo, a New York City-based artist and brand development company, which specializes in representing aspiring artists and operating services in PR, strategic marketing, brand positioning, graphic design and social media management. The company is known for its innovative work, discovering and breaking international acts like K-Pop sensations, DTS and Monsta as well as its unique approach to public relations and artist development. This acquisition complements our existing online talent search platform self-made and further expands our flywheel business model by providing artists with an end-to-end solution to develop and amplify their brand to audiences across LiveOne's platform and beyond. The Gramophone acquisition builds out yet another tier in our creator service spec, but it was closer to artists and keeping liven on the leading edge of where the music and entertainment business is going. And to finish up, I would like to add that due to the successful integration of our advertising and sales divisions, we are closing more 7-figure plus advertising deals with major advertisers than at any other time in our history. I would like to now hand it over to our CFO, Mike Quartieri, who will review our Q2 results.