Sure, thanks Jennifer. A couple of things. One is the podcast thing and industry is really still in the second or third inning, so it’s evolving; but it’s starting to shake out in a reminiscent way of terrestrial radio and some other things. The top 10 in podcasting largely has stayed the same for a while, and by all the charts, we have three of the top 10, some four of the top 10, we’re averaging about 175 million monthly downloads in that network. The goal always was two things: to create the ultimate suite of assets that we could fine-tune and calibrate between what would be best for a curated subscriber pay model and to continue to build the most robust podcast network of an audience that filtered and funneled our ad sales model. I think we’re getting close to that point, so that’s one thing. Secondly, as everybody knows, our content differs than most other certainly audio services, generates enormous, enormous amounts of our own media, and we’re starting to see podcasts now do that as well, so when you combine what we’re doing on the Sirius side and the podcast side, we’re now feeding--you know, the costs are the costs, but they’re feeding a huge amount of free earned media, so we like that. In addition, the new talent that is going to distinguish itself in audio is going to come out of podcasting, and generally when you’re the leader, young podcasters want to be at that network - it’s no different than anything else, and we feel really good that we’re going to be an attractive platform for that. As you can tell with SmartLess, we announced about doing our Crime Junkie and Audiochuck channels on Sirius, we’re going to start to use assets, as I said, to calibrate what might make sense on both sides of the paywall, and adding SmartLess along with Conan O’Brien, Crime Junkie, Crooked, Dateline and others, we just feel really good about the position we’re in with this, so we look forward to more but we feel we’re perfectly positioned right now.